Archive for the ‘reviews’ Category

Monday, July 26th, 2010

In 1984 Leonard Cohen, notorious singer-songwriter and all-around talented guy, wrote a now famous song called Hallelujah. While difficult to get released in the beginning (see CBC interview) this song went on to eclipse, if you’ll forgive the artistic license, every song except Happy Birthday and How Great Thou Art in interpretations and performances. I fell in love with this song a few years ago when I heard Jeff Buckley’s version, as recommended by a good friend. I had no idea of the rich and illustrious background of Hallelujah; but I did know that it would be one of my favorite songs for the rest of my life.

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Friday, April 30th, 2010

As a lover of the service known as Lala, this morning I was very saddened to receive an email that I hoped would never come:

Dear Raymond B.,

The Lala service will be shut down on May 31st.

In appreciation of your support over the last five years, you will receive a credit in the amount of your Lala web song purchases for use on Apple’s iTunes Store. If you purchased and downloaded mp3 songs from Lala, those songs will continue to play as part of your local music library.

Remaining wallet balances and unredeemed gift cards will be converted to iTunes Store credit (or can be refunded upon request). Gift cards can be redeemed on Lala until May 31st.

Click here or visit Lala.com/support for more information, or to view Lala’s Terms of Service.

Thank you.

Lala

This letter was probably written the day that Apple purchased Lala over four months ago. It further solidifies my disgust with Apple and the way they do their business. In this acquisition and destruction of a perfectly good company, they’ve literally promised services to me in exchange for my money and now backed out of our agreement. I currently have over $25 in store credit on Lala and over one hundred songs to which I’ve purchased streaming rights. Beyond that, I’ve given dozens of songs to friends and family on the service.

Lala was the most innovative approach to music that I’ve seen in years, and I was extremely excited to evangelize the service and partake in it like some sort of Dionysian zealot. Now that’s all gone because Apple saw competition, they wanted technology, and when they had it they didn’t want to share. If Apple wants to make me happy they can give me copies of my MP3′s at a loss to them or send me a check for $50. Until that time, I’m looking to warn others of what happens when a closed, heavily proprietary company in bed with numerous neerdowells. This closure makes me furious, and I’m eager to see significant blow-back from Apple’s consumer-base.

UPDATE: It would cost me over $155 to get MP3 copies of the music I’ve purchased. Screw you, Apple.

Sunday, December 27th, 2009

b5_amazon_setAs usual, my first stop is always Amazon. They seem to have pretty solid, just-under-retail pricing scheme. They’ve been my number one online source for online purchases for the last five years. In this case, the price seemed incredibly high: $211!! That’s just over $40 dollars per season, which was more than what I would expect any  individual season to cost. I’m not buying diamonds, people.

b5_amazon

To verify this I added all of the individual seasons together, again priced at Amazon.   The result? $202.  This was disheartening. You could basically get a 5% discount by buying each item individually, but it’s not impressive enough to be anything more than  a blip. Something is wrong at Amazon, and I don’t like it. While I love Babylon 5, there’s got to be a better way.

At this point I checked eBay and put in a few bids. Most sets seemed to be going for anywhere between $90 and $140. This is 50% cheaper than the Amazon prices, but you’ve got to take your chances with the unknown sellers of the massive, online-sales supergiant.  I was further restricted from this option by my terrible bidding skills;  I kept losing every bid.

b5_buy_set

Returning to the world I love of higher prices with no bidding skill required, I decided to check Buy.com to see what they had in store for me.  I’ve been using this site on and off when Amazon’s prices border on the insane. The full series of Babylon 5 is available for $153 with shipping!!! How can this be? This price is 25% lower than the Amazon options.  At $30 per season we’re almost in business. It’s still quite the investment, but we’re talking about one of the best sci-fi shows of all time.

b5_buy

The last test was to see if the blip in Amazon’s pricing also applied to here.  Individual pricing of the seasons was $20 per season resulting in a flat $100 for all 5 seasons of B5. This cost is less than 50% of the Amazon prices, and 30% less than Buy.com complete set. The best news is how comparable the Buy.com price is to eBay listings without any of the hassle or dangers of bidding sales. If you haven’t noticed, I hate bidding on things. It makes me feel so…..dirty.

BONUS:

The Amazon Video Store is asking $2 per episode with discounts bringing the 20-something-episode seasons down to between $36 and $38. This puts their Video on Demand price for the full series at about $185. I’m a big fan of streaming video (Hulu, Netflix, and the Roku), but this price seems outrageous to me.  The distribution costs of the electronic versions are drastically lower than physical discs. While there will be continuing maintenance/bandwidth costs for electronic distribution, it’s completely absurd to think that this market will be successful without drastically reduced prices. I think Amazon is basing their VoD pricing on iTunes’ Store and Amazon’s own cloud services. It doesn’t make any sense to the end consumer right now to be spending this much on intangible product. Even if they see profit margin reduction in these early days it seems like they couldn’t afford the long term cost of losing any potential consumer base to Netflix, Blockbuster, and other video services.

Sunday, August 30th, 2009

Maybe you science people can help me figure this out. The Daily Mail recently posted a news story titled “Single molecule, one million times smaller than a grain of sand, pictured for the first time”. My question is: what the hell does that mean?

How can something be “one million times smaller” than anything? Is small a measurement?  What is twice as small as I am? Or twelve times as small as a planet? Is it a redneck term for mass? Are they saying it is a percentage of another object? As far as I know, small is a descriptive and relational term that has zero scientific meaning.  Maybe I’ve gone crazy, but it just doesn’t make any sense.

At this time I would like to say that I’m 3.6 times smaller than Darth Vader, but I smell twice as nice.

Friday, March 27th, 2009

Sometimes it’s good to have a moment of reflection and take stock of your position in life. I’ve heard that it is when you are at your busiest moments when you need to stop, if only for a moment, and consider all the things in your life. Well, I’m busy. Too busy, in fact, to look at all the things in my life, so I’ll just hit a few of recent technology moves that I’ve made. (Read on…)

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Tuesday, December 2nd, 2008

Interpretive Logo Narrating Frustration

Most people I know would same I’m a pretty nice guy. I can be trouble at times, but by-and-large I’m a nice dude. Especially when I comes to customer service representatives. Man, those people have it rough. I get really frustrated when I hear people ragging on offshore call reps or anybody else that deal with moronic customers who demand perfection. But there’s a point at which I stop being a nice guy.

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Thursday, September 25th, 2008

The latest paper of interest is “Liability and Computer Security: Nine Principles”by Ross Anderson. He’s apparently a Cambridge man who hass done a great deal to change the ideas behind security principles. He’s also got a fair flair for writing on dry topics in a not-so-dry voice. This is one of my favorite skills that I pray everyone can find, at least to some degree. This should especially be true if you’re one who enjoys writing more than 5 pages per research paper.

The focus of the piece is reconsidering the driving force behind security advancement. The classic direction is in implementing best practices available to engineers in order to minimize risk, although the paper didn’t speak to these principles directly. While using the previous direction as log from Frogger, it proposes the chief factor that drives advancement in security is liability and the transfer thereof. It tries the case through several examples focused primarily on security systems used in United Kingdom banks.

It’s hard to simplify in less than five pages, but overall it points out how litigation following incident lead to the most change in the way the UK banks operated and how this system differed from the American cousins. This may seem obvious, but he also tries to tease out the notion that the flaws in the systems did may have resulted from poor designs or because the industry as a whole was not handling these types of issues despite an abundance of technology that could have stopped many of these errors.

The premise is one that I can see merit in, but the application is quite limited in my mind.  The shortcoming of this analysis is that thec cases cited showed that loss due to failure of security mechanisms could be mitigated by an insurer or other liable body. This is not a common issue. In fact, banks and other asset management systems are the only groups that fall into this category, from my view. The only way you can restore most, let alone all, losses resulting from a security incident is if the lost material is of an entirely non-unique, exchangable nature.

I’ve become intimately familiar the concepts of risk as it pertains to reputation, trade secrets, and personal data. These are the pillars of risk, and they are regarded as the very purpose for security in our age. If you look at each element of risk you can see where Anderson’s model doesn’t apply. There are far too many groups out there to determine that liability transferrance is even an option for most cases.

Can Oracle transfer liabile risk of reputation damage to an insurer if they write poor software? Google’s search algorithm is worth trillions of dollars if potential earnings considered, and they could not insure their systems against loss of that information. And how would the Department of Defense transfer liability of operations information being leaked through an insecure system?

These cases are just a few of the corporate and government organizations that represent a vast majority. It’s unreasonable to think that any of these situations would have liability driving their security design and implementation. Why would it then be a driving force for the industry as a whole? It is unlikely, at best.

Again, I do not disagree with Anderson’s paper entirely; I feel that it is quite limited in it’s potency on a broader scope. I applaud his introduction of litigation and liability to the process, but it has far less impact on security than he believes it to be. Liability will always be a concern for any organization, but that does not mean that purpose or method changes because if it.

Thursday, September 11th, 2008
2GB Creative Zen

It’s been a while since I’ve had a portable MP3 player….too long. Rather than bearing with the burden for years and years before I die due to lack of soothing tunes, I decided to satisfy that need. The object of my aural delight is a 2GB Creative Zen.

To all of you technophiles out there, “no, it’s not a Zune or an iPod”. I can’t justify spending over $100 bucks on a device, especially if it has software dependencies. I respect the options out there, particularly the proper potential of Wi-Fi synchronization in the Zune. If I were going to switch to a main player, it would probably be the Zune. That is, of course, if I didn’t get an option to pick up an iPhone first.  There’s no contest there.

But anyways, here’s a quick rundown…nothing to earth shattering.

What do I like:

  • Physical Size (near credit-card HxW and just large enough for 3/8in plug deep)
  • Expandable Storage using Secure Digital Cards
  • Drivers compatible with all Windows installs so far (no pc software needed)
  • Great WAV Recording Filtering for Clarity and Good Stream Rates
  • Loads of standard video support (Even my weirdly formatted videos look great)
  • Nice 2.5″ Display
  • FM Radio Displat
  • Simple Menu Interfaces
  • Photo Support (fantastic images)
  • Price ($80 new)

What don’t I like:

  • No “Play by Folder” Options (I’m an addict)
  • No support for Ogg Vorbis formats
  • No Soft key buttons (Starting/Stopping recordings is a pain)
  • Apparently they don’t use iCal format for calendar
  • Integrated Battery (It may be a must for size, but I don’t have to like it)
  • Poor earbuds included

But it’s a great product over all. I’ve been more inclined to record meetings now that I have it on my body so I can review discussions after the fact. And the WAV sampling is great, so fair quality speech at the 10 foot range is coming out at about 15 minutes per 2.5 megs. Not to mention everyone who has seen it has asked what it is; it’s very sleek.

If you’re looking for something fairly inexpensive but still sexy I’d advise you to check out the Creative Zen.

Important Note: I have a hard time talking about portable players without saying this but all the MP3′s on my Zen are legal.  I know just about everyone might have carryover stuff that may be of questionable legal background from your childhood (when you had no money and didn’t know any better), but it’s no excuse to keep taking money from people who earn it. 99 cents a song isn’t bad. And if you play 100+ hours of that video game, isn’t it worth $40-50?

I also like to take issue with the anachronism that is the modern day music conglomorate and DRM licensing. If I can purchase a player that can just let me use my music the way I need to use it. When I buy it, I should be able to put it on any device that I need without paying more royalties. I’m not advocating sharing and reselling, but the rights of use are there when it comes to entertainment.

Consumers Unite! Please buy your music, software, and movies and buy players that let you use them the way you want. It’s irresponsible to steal from artists and developers, but it’s not time to give money to these companies by locking into a software use nightmare or DRM fiascos.  Buy and use freely, respect and enjoy.